Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Burman songs include O Maajhee Re from Khushboo, Yeh Shaam Mastaani and Yeh jo mohabbat hai from Kati Patang (1970), Kuchh to log kahenge from Amar Prem (1971), Raat Kali Ek Khwab Mein Aayee from Buddha Mil Gaya (1971), Musafir hoon yaaron from Parichay (1972), Diye jalte hain from Namak Haraam (1973), Meri bheegi bheegi si from Anamika (1973), Zindagi Ke Safar Mein from Aap Ki Kasam (1974), Agar Tum Na Hote, Humein Tum Se Pyaar Kitna, Mere Naina Saawan Bahdo, and Chingari Koi Bhadke.Īpart from the Burmans, Kishore Kumar worked with other major music directors as well. In the superhit Bollywood film, Sholay (1975), he asked Kishore Kumar to sing for both Amitabh Bachchan and Dharmendra. Burman considered Kishore Kumar his favorite singer, and recorded several hit songs with him in the 1970s. Their first notable success was the soundtrack of the film Padosan (1968), in which Kishore Kumar sang popular songs Mere Saamne waali khidki mein and Kehna hai. Burman's son, Rahul Dev Burman also started patronizing Kishore Kumar. Some of their initial hits included Maana janaab ne pukara nahin from Paying Guest, Hum hain raahi pyar ke from Nau Do Gyarah (1957), Ai meri topi palat ke aa from Funtoosh, and Ek Ladki Bheegi Bhaagi Si and Haal Kaisa Hai Janaab Ka from Chalti Ka Naam Gaadi (1958). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver(1954), House No 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). In the Bollywood music circles, yodeling became Kishore's trademark.
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But, he kept Burman's advice in mind, and eventually developed his own style of singing, which prominently featured the yodeling that he had heard on some records bought by his brother Anoop. Kishore Kumar did not have a formal training in music.Initially, he used to copy K.
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He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating the singer K L Saigal in the bathroom. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. He became a fan of singer-actor Kundan Lal Saigal (whom he considered his guru). Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar.Spending time with his brothers, Abhas Kumar too started to take a keen interest in the movies and music. Abhas Kumar was the second youngest of four siblings,the other three being Ashok Kumar (the eldest),Sati Devi,and Anoop Kumar.While Abhas Ganguli was still a child, Ashok Kumar became a popular Bollywood actor. Kishore Kumar was born Abhas Kumar Ganguly into a Bengali family in Khandwa ( MP ).